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CINEMATECA PORTUGUESA

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Mary Poppins.jpg
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Saturday Night Fever

John Badham

with John Travolta, Karen Lynn Gorney, Barry Miller, Joseph Cali, Paul Pape

USA, 1977 - 118 min /  electronically subtitled in Portuguese | M/12

 

5th of December | 9:30pm | Sala M. Félix Ribeiro

13th of December | 4:30pm | Sala Luís de Pina

The film of the ‘Travolta’ phenomenon in the realm of 1970s American disco sound. A year later, a book about the actor read: ‘Is there anyone in the entire United States of America who isn't crazy about John Travolta? It seems a sure bet that the simple answer is no.’ With references to James Dean (in REBEL WITHOUT A CAUSE) and Elvis, SATURDAY NIGHT FEVER features a frenetic Travolta, the Bee Gees and the excitement of feverish nights. Showing in digital.

The version of the film shown will be the director's cut for the first time in Lisbon.

Mary Poppins

Robert Stevenson

com Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns, Karen Dotrice, Matthew Garber  

USA, 1964 - 140 min / electronically subtitled in Portuguese | M/6

6th of December | 3pm | Sala M. Félix Ribeiro

Mary Poppins adapts a series of popular stories by British writer Pamela Lyndon Travers about a peculiar nanny who looks after children in London in the early 20th century. Poppins appears at the doorsteps of families with spoilt, whimsical and capricious children and stands out for arriving from the skies on an umbrella and for other little tricks. Poppins “lands” at the Banks family home to profoundly change their conservative life... Produced by Disney, Mary Poppins won, among several other awards, an Oscar for special effects, with techniques that allow real actions to be filmed against animated backgrounds. The session is also part of the “Family Saturdays” programme.

That's Dancing!

Jack Haley, Jr.

com Mikhail Baryshnikov, Ray Bolger, Sammy Davis Jr., Gene Kelly, Liza Minnelli

EUA, 1985 - 105 min / electronically subtitled in Portuguese | M/12

6th of December | 7:30pm | Sala Luís de Pina

Divided into five sections, each with its own presenter (those named above – with a bow) and ‘dedicated to all dancers... especially those who dedicated their lives to developing their art long before the existence of the film camera,’ as stated in the opening credits, Jack Haley Jr.'s film (son of the Tin Man from THE WIZARD OF OZ) proposes a history of dance portrayed by cinema, from the late 1920s to the 1980s, particularly through musicals (the genre of choice of M-G-M, which produced it). First screening at the Cinemateca, shown in 35 mm.

Venue

Cinemateca Portuguesa - Museu do Cinema - R. Barata Salgueiro 39, 1269-059 Lisboa

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